Stronger than whisky.

Not all memorable campaigns are recent ones—and that’s the point. In a world obsessed with real-time results and next-quarter metrics, it might seem odd to spotlight a piece of marketing from years (or even decades) ago. But that’s exactly why it’s worth paying attention to. The best marketing doesn’t just work in the moment—it lodges itself in our memory, shapes how we see a brand, and sometimes even redefines a category. These are the campaigns that stand the test of time. They’re not just good—they’re sticky, smart, and strategic. And by breaking them down through the lens of the 4Ms—Message, Media, Moment, and Memory—we can uncover what made them work then, and what we can still learn from them now.


Set the scene. Barbed wire seems like an unlikely candidate for emotional advertising. In 1877, John ‘Bet‑A‑Million’ Gates famously proclaimed barbed wire was “lighter than air, stronger than whiskey, cheaper than dirt” during a dramatic longhorn challenge in San Antonio—an unforgettable piece of early sales theatrics that helped turn Glidden’s invention into a frontier revolution.

Moment: Why it hit at the right time.

  • Post-Civil War America was expanding westward. Land was plentiful but hard to secure.

  • Traditional fencing (like wood or stone) was expensive or impractical on the plains.

  • The moment needed a cheap, scalable, durable solution. Enter barbed wire.

Key takeaway: It solved a real, urgent problem—and the story elevated the solution beyond its steel and spikes.

Message: What they said and why it worked.

  • “The Greatest Discovery of the Age” frames barbed wire as epoch-defining—putting it in the same mental category as electricity or the steam engine.

  • Gates’ poetic line—“lighter than air, stronger than whiskey, cheaper than dust”—fuses ruggedness with imagination. He wasn’t just selling steel; he was selling control over land, livestock, and livelihood.

Key takeaway: The message made the mundane magical. It positioned function as future

Memory: Why we still talk about it.

  • The marketing lines endured because they were bold and strange: “stronger than whiskey” has swagger.

  • Barbed wire shaped the literal borders of the American West—it became part of the story of settlement and control.

Key takeaway: Great marketing embeds itself into culture, not just commerce.

Media: Where and how it appeared.

  • Print ads, traveling salesmen, and word-of-mouth were dominant. Some early catalogs and trade publications helped.

  • The real media breakthrough was demonstrations—ranchers could see it, touch it, test it.

Key takeaway: In the absence of digital, the media was tactile and immediate. Marketing wasn’t just told—it was shown.


Barbed wire is easy to overlook today—just another utilitarian product in the background of farms, prisons, and warzones. But its original marketing was anything but ordinary. With poetic hyperbole and theatrical showmanship, John Warne Gates didn’t just sell fencing—he sold the illusion of control in a time of chaos and expansion. “Lighter than air, stronger than whiskey, cheaper than dust” was more than a slogan. It was a promise: that civilization could be tamed, land could be claimed, and the future could be fenced in.

Yet the same wire that defined progress for some became a curse for others. To Native Americans and open-range cowboys, barbed wire didn’t represent safety—it represented loss. It was called “The Devil’s Rope” for good reason. It severed traditions, restricted movement, and became a literal and symbolic boundary between old ways of life and the oncoming storm of industrial America.

That’s what makes this campaign memorable. Not because it was perfect. But because it was powerful, polarizing, and perfectly timed. It reminds us that even the most mundane products can take on mythic proportions when marketed with imagination and intent—and that marketing isn’t just about persuasion. It’s about positioning products in culture, for better or worse.

Barbed wire straddled that line—between necessity and narrative, between salesmanship and symbolism. And more than a century later, we still remember the wire. And the words that sold it.

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I don’t know what I’m doing, but I’m doing it anyway.